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A NEW EXPERIENCE
It is difficult to explain my own works because the whole process of painting is not one day’s work. It is a life time experience. Thoughts and images change as the experience grows. Thoughts come and go like smoke. Only those remain which touch the bottom of ones heart.

My works “Three Decades of Silk-screen prints” gave me the experience of working in flat surfaces and gradations in flat surfaces helped me to attain excellency in this medium. The thought process has its own journey to reveal. From basic shapes to nature’s elements and now human figures, was an experience in itself. It was a journey exploring my inner self. The human figure and nature have always inspired me to search my subject of expression.
My human figures are the most comfortable beings, relaxed and secured in their personal space. In my creative pursuit I vaguely remember my school time verses of Mallik Mohamed Jaayasi’s “Padmavat”. The story of Padmavati and Hiraman Tota (Parrot). This great work of literature expresses the spiritual & mundane, physical & metaphysical and sufi love. Padmavati symbolically represents wisdom and Hiraman - the Guru - a great guide. The beauty of Padmavati is explained from mundane to spiritual plane. Hiraman explains the beauty of Padmavati at various occasions and places her on the highest levels.

The process of creating the concept of personal space and its relation with the surroundings saw the entry of the parrot and the experiment with the female figure. Thus started the spiritual relation between the two in my compositions. It is the relation of guru, guide, companion, advisor or provoker who praises the beauty of a female figure - Padmavati.

This parrot is seen in many compositions flying through my paintings as a guru, guide, companion, advisor or provoker and leaving a message in each frame.
 
COLOURIST COUNTERPOINTS
Over here, in these paintings, by a fine and veteran print-maker - we are treated to a fresh medium of expression as well as subject or life-content. Almost all works are an imaginative study of feminity in its diverse postures and colourations. The moods are myriad, and yet one and all are benign, never choleric or shrewish. It is, as though, the artist were at pains to impress upon us the essentially reposeful quality of womanhood. That quality alone goes to make for home, a stable ground beneath human feet in a restless social setting. War and its alarms are far from this genre. But one is almost tempted to ask: Is such repose really possible in our falling to pieces, restive times? Thus, this work is not merely about maidens, it may be construed to be about much more. It is about soothing frayed tempers. Vibrant, never irritating, well-balanced colourations bring their success about.

These suave female figures in the painters creating eye look at us directly in the simplest of settings. Their eyes meet our own with a gentle candour which we invariably respond. We are thus in contact with such distinct personalities, whose charm is not only expressed in subtle details - as of the traceries - but also facial expressions, diffused through the characteristic poses of their bodies as well.
Though the painter imaginatively recreates the same sequence from work to work, this is so without becoming monotonous since beneath the slight changes of mood, we also note a basic self composure. So that these works express the artist, inherent capacity for devotion to human themes. But of course this sweet affect, would not have been attained had he not known how to handle the glow, the intensity, the density, the lightness of colour agreements and their contrasts in the general organisation of his pictures. They show good experience in painting on easel. And this is what matters. Thus Paramjeet’s touch is lively, without running away with itself or becoming over dramatic. Finally, the geometrical play of compositions combines into open spaces the balance of cool and warm colours in counterpoint.

These canvases, in sum, reveal an eye, a hand, a mind; they announce a free and clear craftsmanship who certainly emerges in his fresh medium successfully.
Keshav Malik
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